Prom Night Blu-ray Review (finally)

Prom Night Blu-ray Review

Released on September 9, 2014 by Synapse Films

Movie: 4/5

The original Prom Night arrives in a Special Edition thanks to Synapse Films with a completely new transfer. After waiting over a year since Synapse’s announcement, patience paid off. This transfer is from a new scan done in 2K resolution from the original film elements. The original mono audio is included (in lossless 2.0 and 96kHz), as well as with a brand new remix done in 5.1 discrete surround (in lossless and 96kHz as well).

Prom Night is a weird slasher. Yeah, it came together mostly because of the many slasher films before it that had been successful (and not necessarily in the quality department), and it is not very original either. However, it is also very different in other aspects, including the non-horror elements. Because of this it stands out amongst the others, and it is also why opinions on the quality and amount of enjoyment of this movie are all over the place. For me, it probably falls in second or third place in my list of favorite slashers from that period of time.

On a sunny day inside an abandoned building, a group of four kids are playing a creepy version of hide-and-seek called “kill”. While they are hiding, three siblings happen to pass by. The oldest, Kim, notices she left her book at school and returns for it. The other two stay near the abandoned building to wait for her. A little while later Kim’s sister, Robin, tells her brother, Alex, she is going to play with the other kids. He decides he does not want to play with them and so he leaves. Robin being younger than the other four kids is probably what makes it easier for them to bully her while playing, yelling “kill! kill!” at her. Naturally she gets scared and begins to back away; but an accident occurs and it ends in tragedy, with Robin falling down from a window to her demise. The four kids promise to never tell anyone what happened, and thus the police assume she was murdered by a local maniac. But somebody was watching, and that person will make sure these four kids pay for their actions.

Six years later Kim (Jamie Lee Curtis), Alex, and the other four teenagers, are getting ready for school. The mysterious person who knows their secret calls each of the four teenagers to threaten them. One of them, Nick, is Kim’s boyfriend and date for the prom. Wendy, another of the secret-keepers, was previously going out with Nick, but he has broken up with her because he prefers Kim. One of the other secret-keepers, Jude, is desperate to find a date. Now that the big day is here her hopes are low. Kelly already has a boyfriend. Wendy decides to take Lou as her date and cause mayhem at the prom: she is mad at Kim and Nick, especially since they have been voted king and queen; but this is just perfect for Lou’s and Wendy’s mischief. Jude meets “Slick” while walking to school, and she decides to take him as her date. 

Prom Night takes its characters’ high school drama seriously. While it might seem silly, it actually helps the film by allowing the audience to get to know each of them while they are dealing with their own problems. This also creates a story beyond the hacking-and-slashing (which actually does not start until late in the film). We also see how Kim’s parents are dealing with her sister’s passing-away anniversary: Kim’s mother is especially distraught this day. Kim’s father (Mr. Hammond, played by Leslie Nielsen), is the principal of the school and he seems to be doing better. 

Once these teenagers are at school the mystery of who the killer is begins. The makers tried hard to point fingers at almost every possible person who could pass for the killer, and although this is fairly obvious, it might actually work in people who are watching it for the first time. However, chances are most seasoned horror fans will guess who it is in the first half. 

The second third of the film is the party at the school, and it is disco-heavy. It is actually pretty fun. Boy, does Jamie Lee Curtis know how to dance. Since she is the prom queen, and her boyfriend the king, they get a dancing segment just for them, to officially open the dance floor. This and the climax are easily the best sequences in the film. The third part of the film is when most of the slashing happens. I will venture to say that the scene when Wendy gets chased by the killer was probably one of few scenes from which many slashers that followed got their inspiration for their chase sequences. Prom Night features one of the few genuinely sad endings in scary movies. Not like the grand majority of scary movies which go for either a shocking ending (with a twist or some jump scene), or with the heroine simply surviving. After so many years, Prom Night still manages to be enjoyable in its own way. 

Picture Quality: 4.5/5

Synapse’s transfer from the original elements proves to be a major winner. The quality of the picture is extremely accurate in its representation of how the film should look. Colors are realistic, and some “pop” as they should. The cinematography in the film has many bold colors in the latter two thirds (colors on clothing like dresses, the lights at the party), so this attribute is a great thing. In the early scenes colors are more natural, with many sequences taking place outdoors or in domestic settings. In these scenes colors are less vivid but still realistic, and they do not miss a beat. Lighting is weird, but this is how it should look. It is obvious that filters were used during filming. This is why the light looks “heavy” sometimes, making some scenes look almost foggy, or with some haze spread over them. This is how it should look though, along with the heavy grain and an overall soft look. Again, all of these because of the filters used intentionally during the production. There is still great detail in it though, but it is not like how most modern films look. That is alright though, the transfer is extremely satisfying, especially after knowing these facts. The only reason I deducted the 0.5 is because there are two instances where heavy print damage appears. Although they are pretty heavy, they are extremely brief. One of them is a blink-and-you’ll-miss-it instance (a medium-sized, and very dark, spot in the lower right corner of the frame). The other one lasts a few seconds (a brief shot of the killer walking in which noise and grain are extremely and unnaturally high; I suspect it might have been a recycled shot, so it might explain the over-processed quality of the shot). There is also very, very, light print damage (white specks) a few times, but I think I would not have noticed them if I had seen it in a screen 60 inches in size or smaller (I did not deduct anything for this). Overall it was very close to being perfect. 

Audio Quality: 5/5

Now this one is perfect. Music envelops the viewer through the sound stage thanks to the 5.1 remix. I prefer this one (rather than the mono) also because of the subtle directionality attributes and light surround effects. These enhance the audio and do not introduce anything that might make it sound overdone or unnatural. The track is still front heavy though, and this is a good thing since, again, the original track is a mono one. Voices are clear and there are no artifacts or distortions to be found. That “boxy” effect is retained a little, but this is perfectly acceptable because of the age of the film.

Special Features: 4/5

There is an audio commentary with the director and writer of the movie. A lengthy featurette is included also, with the director and other members of the cast and crew. It is interesting and fun at the same time, with sections in which the participants recall good times during the production. Sadly, Jamie Lee Curtis does not appear, but it is a good featurette nonetheless. There are also some deleted scenes (some add light humor, others try to add more story to the film), as well as some outtakes. The deleted scenes were used in the TV-cut of the film to make up for the footage censored. The outtakes have music-only for the audio as the company could not locate the sound elements (they were probably destroyed). Promotional material is included in the form of trailers, radio and TV spots, as well as a motion-still gallery.

Overall: 4.5/5

Prom Night is a fun slasher that requires an open mind… and a certain appeal to disco. As mentioned above, the drama of the teenagers drives the story for about half the film. One might think this is overdone, and that the movie takes this way too seriously, but, who at that age though their high-school problems were unimportant? I actually find it interesting as we get to meet these characters in this stage of their lives. As opposed to recent slashers, most of the teenage characters in this one are actually likable. Even if we assume most will die due to the genre of the film, we get to know them well enough that we hope most will survive. And yes, the disco element: the movie features disco music (think something like Saturday Night Fever, but less intense) for most of its second half, so if you dislike it I would not recommend it. Otherwise, this one comes as a must-own for anyone who likes horror, slashers, disco, 80s films, just Jamie Lee Curtis, or a combination of any of the above. 

Note: For some reason my computer was acting a little crazy when I took the screenshots, however, there are no black bars on the sides like shown in the pictures. The picture actually does fill the entire 16:9 frame. The screen captures of the blu-ray above should not be taken to be good representatives of the quality of the transfer as they have a lower resolution than the blu-ray, they are compressed, and in motion it may look different. 

No Good Deed Movie Review

No Good Deed Movie Review

Movie:         7/10

No Good Deed stars Oscar-nominated actress Taraji P. Henson and Golden-Globe winner actor Idris Elba in a suburban thriller about a mother (Henson) trying to survive the night, after a dangerous man (Elba) knocks on her door asking for help. The film was released on September 12, 2014 by Screen Gems. 

Terri is the mother of a baby and a small girl living in the suburbs with her busy husband. She was previously a state attorney who worked in the homicide department putting killers of women in jail. However, after having her children she quit and decided to become a full time mom. Her husband seems to have gotten tired of her. He would rather be out of the house and leave Terri with the kids. Terri resents him, but that day she keeps her attitude in check partly because she admits to occasionally give him a hard time, and after all she does love her children.

Colin is a manipulative, and compulsive, sociopath who murdered five woman and a man. The lack of evidence in the cases only allowed for a conviction for manslaughter. But today is his big day. He is about to receive the news on whether or not he will be allowed to be released from jail on parole. It is quickly shown that his parole is denied, and while being transported back to prison he kills the guard and the driver and then escapes. After stalking her, he goes to visit his ex-fiancée. He asks her some questions (she clearly gets nervous and scared) and then confronts her about being with another man while he was in jail. He ends up breaking her neck and beating her body with a blunt object. 

That same day, Terri’s husband is almost out the door as soon as he arrives home. It is his father’s birthday and he has to drive a few hours to arrive to him. Terri tries to get his attention, but he quickly dismisses her and leaves with a dry “love you too”. Terri stays worried because of his late attitude towards her, and also because of a storm that is supposed to hit in a few hours. The storm hits later that day, and while Colin is attempting to escape in a truck, he loses control and crashes the vehicle. He walks to Terri’s house and asks for her phone, saying he just needs to call the towing company to pick up his car. Terri agrees although she feels reluctant, and after talking with him for a few minutes she lets him inside her home. 

This might seem very foolish of her, and it is, but there is a reason which I personally believe to be enough to explain her behavior. It is obvious that Terri has been feeling mostly unhappy for some time now. Being a mom is not easy, and concentrating that much on others rather than herself (unlike when she became an attorney and practiced her profession) makes her feel overlooked. She obviously resents this as her husband does not make the slightest effort to acknowledge her as a person, not to mention her work and selflessness, especially when it is only her that is taking care of their children. So when this (apparently) charming and attractive man comes knocking on her door, she lets her feelings get the best of her, inviting mortal danger into her home. Once she realizes the fatal mistake she’s committed, she knows she will have to fight tooth-and-nail to protect her children and herself from becoming Colin’s next victims. 

The movie takes its time to set up the most important characters. Both Terri and Colin are given similar screen time, before they even encounter each other, to let the audience know them and their situation. This was a smart move. Once Terri sees Colin for who he really is, her background, and Colin’s, help to translate their actions in response to the situation well. This situation also forces Terri to find part of herself again. 

For the second third of the film there are two kinds of tension. One is shared by Colin, and us as the audience. The second one is only shared by Terri and Colin; but for him this tension is only there as part of his manipulation. The first type of tension is of menace, and it carried from the second Terri opens the door to Colin (because we know who he really is). The second one is sexual, and Colin develops it between him and Terri to manipulate her. Once he receives the slightest sign of unhappiness from Terri, he analyzes it well and takes full advantage of it, developing this sexual tension. Of course, this tension is true for Terri, but Colin only uses it to infiltrate her home. In the third part of the film is when Terri realizes her fatal decision, and by then only the tension of menace and danger remains. 

The film is overall a good thriller with good performances, however, there are some caveats. The tone in the second third is not consistent. There are some moments here where the tensions seem to be competing for development. This causes confusion upon the audience, not knowing how exactly to feel. One moment Terri’s friend is flirting with Colin without holding back, and the next she is about to unintentionally uncover his lies. Thankfully, this section of the film ultimately concentrates on the menace. There are also moments throughout where the editing is not good, and because of it the pace feels clunky sometimes. Ultimately, however, the final amount of tension built up until the third act begins is enough so that its pay-off turns out be decent, providing the audience with some good thrills and edge-of-your-seat moments. The film also has a few nice surprises sprinkled throughout which help keep the story moving and prevent the actions, and situations, between Terri and Colin from becoming repetitive. Recommended. 

Random #1

Random #1

Ok, so there is some stuff I’ve been wanting to post and say about different games and movies that are not really related to each other. Thus I’ve decided that I am gonna start making posts titled “Random #x”, x being the number respective to the post under the “Random” category in the blog. 

I am planning to watch No Good Deed tonight and I might post a review of it. If not I will at least comment. 

I got a considerable-sized batch of newly released blu-rays this week:

• Prom Night (1980; Special Edition)
• The Addams Family 
• Graduation Day 
• Pumpkinhead (Collector’s Edition)
• Lemony Snicket’s A Series of Unfortunate Events

I already watched Prom Night and I will begin the review right after this post. 

I also got Frozen on blu-ray 2D + 3D (from Korea) with a collectible slipcover that totally rocks:

                      

The image on the left is the one used on amazon.com (with its exorbitant prices form 3rd party sellers). The one on the right is a picture of my copy (with low light). I really like this version because the image on the front fits the movie perfectly, it has the 3D version (which the U.S. has not received; thanks a lot Disney), and because of the effect it gives off from the reflection of light, imitating the aurora effect (which only happens in very cold weather, just in like the setting of the movie). I included my picture because the effect can be seen better. I did not include it in the list above because, although I did get it this week, it has been out for a while now. 

I also wanted to include a few gifs and comments of one of the best climaxes in slasher films and just horror and thriller movies in general:

from:

Los Ojos de Julia (Julia’s Eyes):

Seriously, the style and editing in this scene is insane. All the dread the movie builds up in the viewer, and the despair and the tension on the main character (which actress Belen Rueda makes very easy to sympathize with) enhances this sequence to the max. And yes, if you have seen it you know it is nothing original, but that is not the point. The director was able to splice different techniques here from various directors from different thrillers. You can see Hitchcock (the camera flashes from Rear Window), Dario Argento (the way the villain and victim behave against each other; the camera movements; e.g. Suspiria), and Wes Craven (with the fast editing and different camera points of view like in Scream and Red Eye), Brian De Palma (the wielding of the knife; think of the villain's razor in Dressed to Kill), along with others that I can not pull from my head right now. He splices these styles and techniques with such harmony that everything just works together to enhance the sequence. I was at the absolute edge of my seat the first time I watched it. I think I will review the blu-ray pretty soon. It is way too good to pass up. If you have not seen it make sure you do, seriously:


SPOILERS!

*You might see the exact same gifs on tumblr; don't trouble yourself, I posted them there in my blog first.

End of Spoilers

In other things, I got Destiny for my PS4 and I have not been able to play it at all (at least not since the beta testing). School just drains me of energy and time. And since I enjoy movies more, well there it goes. I was playing The Last of Us right when summer vacation was ending and I have not played it since. And it’s so good. It’s a little frustrating to be honest. And now Alien: Isolation is right around the corner. When I get my hands on it (on release date, of course) I will spend all my free time playing it, no matter the other games. I have been waiting for this game for a really long time. It reminds me of Outlast. While Outlast succeeded in keeping the tension at a very high level from beginning to end, its story began with a good premise and kept it constant until the third act. By then the story kind of falls apart, with the ending not matching in quality with its first two parts. I mention this because it seems to be very similar to Alien: Isolation in its approach to survival-horror. So given Alien: Isolation has a better story, it should be a blast. I can’t wait. 

That is all for Random post #1. I will try to write the review (or commenting) for No Good Deed tonight to finish the review for Prom Night on blu-ray and post them soon.

The People Under the Stairs Blu-ray Review

The People Under the Stairs Blu-ray Review

Released on September 2, 2014 by Universal Studios

Movie : 4/5

The People Under the Stairs has been finally released by Universal Studios here in the United States. Previously, this film had been released in the United Kingdom by Arrow. In their release they specifically say that the master used for their release had been provided by Universal. 

Out of all the horror films directed by Wes Craven, this is the first one I saw. They were playing it on TV and it must have made a vivid impression on me as I bought it later on DVD when I was still in middle school. I can not remember too well the first time I watched it, but I do remember seeing it countless more times once I owned it. Before watching it again, this most recent time, I adjusted my expectations. I remembered the movie was sort of campy, and given it was one of the earlier attempts by the director before Scream was released, I lowered said expectations… and I was pleasantly surprised. The movie can still hold its ground. It is still creepy, fun, suspenseful, and yes, it is still as campy as I remembered it, but now I see it is just part of what makes it a fun and scary little thriller. 

Fool (our antihero) is a child and the oldest sibling in an African-American family in which the mother is very sick. They do not have money for rent, and they only have a few days before they are evicted by the owners (a white couple). We then learn that the mother’s sickness can be easily cured, but since they do not even have enough money for her treatment, she just lays on bed, waiting to die. One of the neighbors in the apartment complex mentions to Fool that the owners of the building they live in (and of many other similar properties) have gold hidden somewhere in their house. He persuades Fool to agree to help him steal it, telling him the owners are filthy rich and thus do not need the money they are planning to get. If they are successful, he tells him, they will split the money and he will have enough for his mother’s treatment as well as for paying the rent for many years to come.

The neighbor brings along another burglar to help them. After a failed attempt by Fool to get into the owners’ house, the other burglar is successful, pretending to be a worker of the electric company. But then there is a problem: he is taking too long inside and he is neither coming out nor letting them inside. They force their way in, looking for their partner and the gold. Fool goes inside the basement and finds their partner dead with a golden coin in his hand. But there are scary-looking people in the basement’s walls. They seem deformed, with white skin and ghostly facial expressions. They begin the pull the body inside the walls, and Fool tries to pull him away, but he is only able to get the golden coin. The body disappears, being dragged into the walls by many pale hands. 

Then Fool runs up to the main floor, and him and his neighbor try to escape, but are then locked inside the house by the owners. From there on it is a non-top thrill ride as Fool tries to escape, going through trap doors, secret passageways, and different rooms which only make the house seem like a maze. He stumbles upon the owners’ daughter, Alice, a timid girl who seems scared of her own shadow. And as he keeps going deeper and deeper inside the house he uncovers other secrets the owners are keeping from their tenants, and the world in general. 

One of the things I noticed this time, after not watching it for many years until now, was the racial undertones in the story and the characters. The white couple are portrayed as evil rich people, almost representing the concept of “white supremacy”, especially when one thinks about how they are the owners of the places where Fool, his neighbor, and many other African-Americans live, thus holding a sort of power over them. They have allowed these properties to turn old and ugly, letting their tenants stay in these poor living conditions. Then they evict them to empty and destroy the buildings to sell the terrain for even more money. Another neighbor of Fool (also an African-American) organizes a group of tenants in a strike to get better treatment from the landlords. And Fool is our antihero, representing justice and a sense of good morality, because, even if he is trying to steal (albeit in a Robin Hood kind of way: getting money from people who do not need it, to help his mother instead of getting rich), he is ultimately trying to help Alice escape from the domestic abuse of her parents, prioritizing this above finding the money and above trying to escape alone to make the attempt easier on him. 

The racial bias is not as straight forward as it seems. Fool’s neighbor is an African-American as well and he is a thief. He steals not to help a sick family member, but simply to get money the easy way. Alice is white, and she is innocent with a pure heart that is full of compassion and is not in any way selfish. As you can see the racial undertones are not all biased to one side or the other. It is enough to portray the injustices of the white landlords over the African-American tenants, but still include different people in both groups to keep it more real and not all biased to one of the sides or the other; almost like a balance that I think actually helps to enforce the story and also layers it to make it more than just a scary movie. 

Spoilers ahead…

I will finish this section by saying that Fool is only a child, but this foolish, innocent heart of a child is what enables him to escape. But instead of staying safe, far away from the house, he goes back for Alice, and while doing so he stumbles upon the money. He manipulates the situation and all his neighbors get a share of it (justice for the bad treatments of the landlords), and he even helps the people under the stairs escape (after finding out the couple had them as prisoners), who in turn help him and Alice escape (Alice knew about them being prisoners, and she also tried to help them). All in all a very satisfying movie. 

Picture Quality: 3.5/5

The People Under the Stairs video quality is a little underwhelming. While there are some fairly good positives to the transfer, there are also some bad ones. Only one of these is the main culprit for the lowered score. Otherwise it would received a very solid 4 or even a 4.5. As it stands it barely manages to grab a 3.5. If it was not for the positives that I was not expecting it would have received a 3. This main culprit is noise created by some kind of digital processing. This noise is present from start to finish, messing with the natural grain of the movie and the detail. The good news is this noise is not enough to make it unwatchable. The upgrade from the DVD is obvious, and some detail is retained even with the weird digital noise present. Shadow detail reveals a good amount of textures. Colors stay real and well saturated. Skin colors look as they should (even the white skin of the people under the stairs) and hardly ever waver. Contrast is decent but it does fluctuate a bit, but never to the point that it messes up the quality. Blacks are good also. All these surprised me given it is an old film, considering that this is probably an old master, and knowing that the film was obviously made on a low budget. The only other problems were traces of slight print damage (light white and black specks peppered throughout the film) but they are not too noticeable. Honestly, given the fact that the movie is not that well known I am surprised Universal even released a blu-ray version of it. I was about to import the Arrow version when I heard about this release. Overall it is a little better than mediocre quality: unexpected positives and a problem of moderate size (the noise). Chances are most people will not mind it though, and even less so when seen on a smaller display where the appearance of this noise will be somewhat reduced because of the smaller display size. 

Sound Quality: 4/5

Universal has included only the original stereo mix in DTS-HD Master Audio 2.0. Better news here: the mix contains some respectable amplitude in terms of volume range while keeping the sounds clear without becoming distorted. This surprised me as most old films have a more “boxy” quality to their sound and their range is pretty limited. I would have loved a 5.1 lossless re-mix (if done correctly of course, included along with this one), but the original mix is certainly good enough. Using my receiver’s Dolby Pro Logic IIx sound mode, the voices sounded fairly centered with a little bleed to the front left and right speakers, allowing for more separation between the elements. The voices sounded very clean and I do not remember any instances where they sounded bad. The only complain here would be mild sound artifacts (more likely due to the limitations of the production). 

Special Features: N/A

No special features are included.

Overall: 3.5/5

This blu-ray transfer of The People Under the Stairs is a nice upgrade from the DVD. It could have looked better and some special features would have been nice (like a commentary by Wes Craven). But given it is not popular nor recognized I am still glad it got the upgrade. The film holds up well even by today’s standards considering its low budget production. Unless a better version comes along from another country and distributor, this blu-ray comes recommended, given of course this movie is your cup of tea. 

Note: the screen captures of the blu-ray above should not be taken to be good representatives of the quality of the transfer as they have a lower resolution than the blu-ray, they are compressed, and in motion it may look different. 

Kristy Blu-ray Review

Kristy Blu-ray Review

Released on August 7, 2014 by Tiberius Film

Movie: 3/5

Kristy (a.k.a Random, a.k.a. Satanic) gets its first home video release thanks to the German distributor Tiberius Film. The movie was released on blu-ray, blu-ray 3D, and DVD. This blu-ray is region B locked (as confirmed by my playability tests).

The slasher genre has been pretty much dead for the past decade. While there has been some releases of slasher movies in the past few years, decent or even good slashers have made their appearance in very rare occasions, with most of these being of foreign origins. For a person like me who years ago spent so much time enjoying the old ones (and I am including the 90’s slashers in this category also), finding a recent slasher that is actually enjoyable is bizarre. And to find such a film one has to practically hunt them down, traveling great internet distances through many web sites to find one that has potential, with many just ending in disappointment. 

So, how does Kristy hold up? In a phrase, slightly above mediocre. But, please, allow yourself to read an explanation for this, as I did find some pretty decent slasher elements in the movie, and you might find that these elements actually suit you better. 

The film opens with a website which hosts many different videos of a group of four young adults that stalk girls close to their age. In all the videos the group eventually kills each of the girls, calling them Kristy and using a razor to mark their cheek with a “K”. Then we get to meet Justine for the first time (our protagonist) with her boyfriend inside her college dorm. We then learn that it is thanksgiving break and most of the dorms will be unoccupied during it. Justine ends up being the only student left on campus, along with a couple of security guards and a groundskeeper. She decides to treat herself and goes to the nearest gas station to buy junk food and a cheap thanksgiving dinner. In the store she has a menacing and creepy encounter with the girl of the homicidal group. After being harassed in the car she manages to go back to campus, and this is where the stalking and slashing for Justine begins.

One thing the film gets right is with providing us, the audience, with a sense of isolation which Justine is experiencing. Even though the guards and groundskeeper stay, she is practically alone in the hall where her dorm is. The groundskeeper has his own cottage on the edge of the campus, and one of the security guards is always at the gate. The remaining guard is the only company close to Justine. The group manages to get inside the campus, lock the guard out of Justine’s hall, and stalk her in and around her dorm. This is when Justine realizes she is in mortal danger, and it is when the suspense begins. 

Instead of trying to be extreme, the film goes for stealthy thrills, with most of the movie having Justine trying to evade them and trying her hardest to avoid a face-to-face encounter with them. Think of it as a survival-horror video-game in which the main character has very, very few weapons within her reach, and various devices to distract and escape the killers. Of course she eventually does come to face them, but the way these encounters develop are not like the encounters between the protagonist and killer(s) in most slashers where the victim is forced to face the killer(s). Instead, Justine reaches a point where she decides (rather than being forced) to pluck up the courage to survive not by escaping, but my eliminating her stalkers. 

Mild spoilers ahead…

One flaw that might turn-off some people is the way the movie climaxes. In slashers such as I Know What You Did Last Summer and Halloween the protagonist has a big showdown with the killer. The killer chases her and holds nothing back to try and kill her. Again, in these films the protagonist is suddenly forced to face the killer. In Kristy Justine becomes the hunter. She consciously decides to go after the killers and take them down one by one. She becomes the stalker. Personally, this takes some of the suspense away because, even though we are still rooting for her to survive, her vulnerability level goes down, shrinking the feeling that she might still die (consciously deciding to face a killer is of course still very life-threatening, but I am referring to the emotional rather than logical impact on the viewer). This instead provides with character development as we see Justine change before our eyes when she encounters an almost survival-is-impossible situation. Since I am a suspense lover, this took some of my personal enjoyment of the movie away, but I know that others might find this evolution of character more interesting and exciting, rather than seeing another slasher take the same sort of direction for the finale. 

Picture Quality: 4.5/5

Kristy appears to have been filmed digitally rather than on film as the transfer is devoid of any natural grain (which film transfers give to movies) but still retains a good amount of detail. The film is presented in its original wide aspect ratio (2.40:1). Colors remain very accurate with the cinematography’s cool tones and flesh tones of the actors. Shadow detail is nicely rendered without having bad or unnatural fluctuations in contrast. Black levels are very deep and inky (as they should be) except that there are a few instances where mild digital noise is present in them. The other only fault I found in the transfer was some slight color banding when, for example, a light’s brightness diminishes with distance on the wall of a hallway, gradually changing the tones of the wall’s color from bright to dark. This kind of banding is sort of common with movies that contain contrasting levels of brightness within the same shot, and it is not too noticeable. So overall a very solid transfer. 

I was not able to see the movie in 3D (or at least sample it) as I was missing my 3D player at the time of the viewing, but once I sample it I will comment about it. The 2D version played fine without requiring a 3D player (so this blu ray carries both the 2D and 3D versions).

Sound Quality: 4.5/5

Kristy  contains two audio options: 7.1 DTS-HD Master Audio in both English and German, with optional German subtitles (there are a few instances where forced German subtitles appear, for example when a text message from a cellphone is shown, but it does not happen regularly, only on these instances of visual text). I did not bother listening to the German audio option because, why would I? I do not know any German, plus the film was filmed in English, and the grand majority of times dubs are pretty bad. I doubt the film’s native mix was in 7.1, considering it was a low-budget production, and seeing plenty of German blu-ray releases that have audio that has been re-mixed to include the two extra channels of surround effects. The mix seems to have had its range of volume expanded as loud sounds were a bit louder and this made it seem a little unbalanced. However this was the only anomaly, and the rest sounded very good. The mix is aggressive when it calls for it. Surround activity is good also. For a good portion of the film there is rain present, and the front and surrounds give off the effect very realistically; this and other atmospheric effects were included well. There are instances of footsteps from the killers coming off from behind and next to the listener, providing good support to the suspense and creepiness of the film. The low end was a little aggressive (a tiny bit unnatural to my ears; probably due to the amped range of volume) but it did not sound exaggerated or distorted. Voices were clear most of the time, save for a couple of instances where characters were whispering. A good surround mix that nicely compliments the genre of the movie. 

Special Features: 0.5/5

The only special features are the trailer for the film, along with trailers of a few other movies that are being released by Tiberius Film. 

Overall: 3.5/5

Kristy is a good movie to watch on a boring night when there is not much to do. It is a suspenseful movie for most of its running time with a little nice action towards the climax (between our hero and villains) but nothing like the intensity of slasher action from say Scream or The Purge. Like implied above, the violence is not strong (I would say it would receive a hard PG-13 or a soft R rating). Those people who are fine with the movie’s “stealthy” approach to suspense will find more here than just an okay movie. The video and audio transfer is of very good quality so no worries there. For those who still think they might enjoy the movie (with these adjusted expectations) this comes very recommended. For the rest who have doubts about it, this still comes recommended, but in the form of a rental or a buy for a cheap price.  

Note: the screen captures of the blu-ray above should not be taken to be good representatives of the quality of the transfer as they have a lower resolution than the blu-ray, they are compressed, and in motion it may look different.